Bush stone curlews, kookaburras and shorebirds grace the walls of this property in Nelson Street, Ormiston, thanks to the generous actions of the owners who wish to raise awareness of local wildlife and share this with the neighborhood.
With my faithful offsider/daughter Meg, we sprayed and painted over a few days to have these characters emerge.
‘Cross Cut Kookaburras’ was painted over the weekend of the 7th-9th September as part of the Ipswich Fused Festival. With the support of the festival organisers and Ipswich City Council we have added the presence of a couple of large kookaburras into the River Heart parklands adjacent to the Bremer River. Thanks to Kate Roberts and Meg Sweeney.
The theme was ‘Optimism’ and I chose the site at Moggill Road, Pinjarra Hills.
‘A baby Tawny Frogmouth perches atop a vintage aluminium teapot. Nothing is more optimistic than a baby bird. The quirky and whimsical combination of birds and what they might collect led me to sit him on one of my collected teapots because it matched his eyes. The teapot in this location, adjacent to the retirement and aged facility, speaks of the familiar and humble aluminium teapot that graced every kitchen from the 40’s to the 70’s. Everyone remembers with fondness the teapot Grandma had.
A larger than life reminder of the local wildlife as well as remind us of the nostalgia of our grandparent’s tea making rituals.’
There is a short video of the process (before the camera battery failed!) here.
The William Jolly Bridge will be lit up each evening with artwork projections from the Migratory Birds and Suitcases watercolour works to celebrate the event the End of the Line Festival 1-5th November 2017
‘Deb Mostert’s ongoing interest in themes of collection, memory, and sacredness sees her hunting second hand stores, gift shops and antique centres in search for items that have a past and then presenting them in new stories and images. To celebrate the ‘End of the Line’ festival, Council presents Mostert’s artworks which feature vintage suitcases – a symbol of the travel and migration birds and people take to arrive in Australia.’
This Light Up is organised by Brisbane City Council and curated by CreativeMove.
I have had the opportunity to paint a large mural for the Redlands Council in conjunction with Creative Move and the Redland Art Gallery. ‘We visit every year’ draws attention to the stories of our migratory shore birds and the precarious nature of their habitat in our bay areas. It also references visitation, holidays and return visits to our beautiful bay areas.
Thanks to Creative Move for giving me this opportunity and for their unwavering support through out the process and to Redlands Council for having the vision for Public Art in their community.
It was a challenge to paint the mural in panels in my studio, then transport them and have them attached to a giant framework to instal on the side of the IGA building in Wellington Point Village. Many people helped make this happen and I am grateful for their support.
My bronze sculptures entitled the Graceville Wunderkammers have been installed as part of a Brisbane City Council Suburban Centre Improvement Project at Honour Avenue, Graceville.
I was commissioned by the Council Urban Planning Dept to collaborate with the local community to create two artworks which reflected the curatorial rationale of ‘Showtime’. Emerging in the 16th century, the Wunderkammer (cabinet of curiosities) included objects belonging to natural history, geology, social history, religious or historical relics, works of art and antiquities. It was regarded as a microcosm or a theatre of the world, and a theatre of the memory. These cabinets served as a status symbol, provided entertainment, were precursors to museums and receptacles of a people’s history both imagined and real. These Wunderkammers are filled with objects belonging to the social and natural history of the Graceville area and it’s people. It is meant to invoke memories, engage conversation and summon narratives of both past and present. There are stories hidden in each object.
Huge thanks to Chalkos Fine Art Foundry for their expertise and collaboration. Photo credits Carl Warner
My work continues in collaboration with Chalkoz Art Foundry to produce large scale sculptures for the Brisbane City Council. Fabrication will be finalised in the next few weeks with the installation happening in mid May. It’s been a year in the making and still under wraps but the full story will be told in due course.
The Mater Hospital Springfield through Independant Arts Management have commissioned 12 works for the hospital rooms. An artist in residence project with local school, St Peter’s Lutheran saw us brainstorming ideas about birds and what they might collect, drawing them and then making our own birds from paper and wire.