new public art work Redlands

I have had the opportunity to paint a large mural for the Redlands Council in conjunction with Creative Move and the Redland Art Gallery. ‘We visit every year’ draws attention to the stories of our migratory shore birds and the precarious nature of their habitat in our bay areas. It also references visitation, holidays and return visits to our beautiful bay areas.

Thanks to Creative Move for giving me this opportunity and for their unwavering support through out the process and to Redlands Council for having the vision for Public Art in their community.

It was a challenge to paint the mural in panels in my studio, then transport them and have them attached to a giant framework to instal on the side of the IGA building in Wellington Point Village. Many people helped make this happen and I am grateful for their support.

Artist In Residence at the Broome Bird Observatory

I have been privileged to be able to spend 9 days as artist in residence and experience the stunning beauty of Roebuck Bay in Broome and spend time watching and sketching the shore birds in this unique habitat. This material will help feed a body of work about migration and an exhibition late 2018 at the Redland Art Gallery, Cleveland. This residency was made possible with the help of an Arts Qld grant and the support of the Broome Bird Observatory.



an exhibition at the Queensland Museum – World Science Festival Brisbane  22nd – 26th March, 2017

Curated by Carrie McCarthy with much absorbing artwork by artists who work across science and art including: Maria Fernanda Cardoso, Elisa Jane Carmichael, Selene Cochrane, Simone Eisler, Emma Lindsay, Sara Manser, Sharon McKenzie, Julie-Anne Milinski, Deb Mostert, Jeanette Stok, Geoff Thompson, Michelle Vine, Carolyn Veronica Watson.



Finalist Elaine Birmingham National Watercolour Landscape Prize

A collaboration with Melbourne artist and friend Robert Fenton has been shortlisted

and will open Friday 10th February at the Webb Gallery, Queensland College of Art, Southbank

Forma et Situs Agri – Marking our Path  2016 watercolour, ink, resin on paper on board

The pre-selection panel consisted of artist and Queensland College of Art Fine Art programme advisor, Julie Fragar, multi-disciplinary artist Chris Bennie, and director of Griffith Artworks Angela Goddard.
Pre-Selection Judge, Chris Bennie, said the standard of entries to the 2016/17 Bermingham Prize was very high.
“I am confident my colleagues and I have finalised an exhibition that successfully communicates the currency of watercolour as a significant, engaging and developing medium within Australian art,” he said.
We are also pleased to announce artist Michael Zavros as the Principal judge for 2017. Michael is a leading Australian artist whose work has been exhibited in major museums throughout Australia, New Zealand, Asia and Europe. His exceptional painting skills and extensive knowledge of contemporary Australian art will be of immense value to the judging process.
The selected artists will have their artwork showcased in the finalist exhibition opening on the 9 February 2017. The Major Prize ($20,000) and two Highly Commended Awards ($2,000 each) will be announced at the opening event on Friday 10 February 2017, open to the public from 6-8pm.

Finalist Redland Art Awards 2016

My work entitled Terra Australis 2 was shortlisted from over 400 entries to be a part of an exhibition

at Redland Art Gallery, Cleveland until 27th November 2016.

Judges were Judy Watson (artist), Jose Da Silva (senior Curator QAGOMA), Emma Bain and Stephanie Lindquist (co Directors Redland Art Gallery)

Terra Australis 2  2015  82  x 102 cm watercolour and oil pencilweb

Graceville Wunderkammers

My bronze sculptures entitled the Graceville Wunderkammers have been installed as part of a Brisbane City Council Suburban Centre Improvement Project at Honour Avenue, Graceville.

I was commissioned by the Council Urban Planning Dept to collaborate with the local community to create two artworks which reflected the curatorial rationale of ‘Showtime’.  Emerging in the 16th century, the Wunderkammer (cabinet of curiosities) included objects belonging to natural history, geology, social history, religious or historical relics, works of art and antiquities. It was regarded as a microcosm or a theatre of the world, and a theatre of the memory. These cabinets served as a status symbol, provided entertainment, were precursors to museums and receptacles of a people’s history both imagined and real. These Wunderkammers are filled with objects belonging to the social and natural history of the Graceville area and it’s people. It is meant to invoke memories, engage conversation and summon narratives of both past and present. There are stories hidden in each object.

Huge thanks to Chalkos Fine Art Foundry for their expertise and collaboration. Photo credits Carl Warner


Graceville Wunderkammer 1 - Deb Mostert 2016 Bronze
Graceville Wunderkammer 1 – Deb Mostert 2016 Bronze

Graceville Wunderkammer 1 - detail Deb Mostert 2016 Bronze

Graceville Wunderkammer detail Deb Mostert 2016 Bronze
Graceville Wunderkammer detail Deb Mostert 2016 Bronze
Graceville Wunderkammer 2 Deb Mostert 2016 Bronze
Graceville Wunderkammer 2 Deb Mostert 2016 Bronze

Finalist Sunshine Coast Art Prize 2016

The idea of a migratory bird burdening itself with a collection of vintage airline bags is ridiculous. But then so is the thought that a migratory bird should not be allowed to make a journey with all its meagre possessions from its land to another land, so it can raise its young in safety.


The opening for the Sunshine Coast Art Prize is 1st September and the exhibition runs until the 2nd of October at the Caloundra Regional Gallery, Caloundra.

'We travel a lot so collecting these made sense' Bartailed Godwit Vintage Airline bags 46 x 61 cm watercolour

‘We travel a lot so collecting these made sense’ Bartailed Godwit Vintage Airline bags 46 x 61 cm watercolour