I will have these works hanging as part of this group show
The Powerful Owls have been nesting again down at our local creek. This threatened species are suffering due to habitat destruction and the loss of old growth trees for nesting hollows. A shy and secretive bird, they are the largest of Australia’s owls and the babies are simply gorgeous. I have been documenting their progress and was so pleased to see not one but two babies this year. These looser and more intuitive works have come since my time with my fellow artists on our art camp at Villa Rustica. There is always a lovely osmosis of ideas and ways of seeing that happen when artists work alongside each other.
Animal as Object – nature and culture will run at the Tweed Regional Gallery and Margaret Olley Art Centre from May to October 2022. I have been mulling over ideas and making works towards this project for some years now and my research (pre-covid) takes me to the Queensland Museum on a weekly basis as I investigate the animal as an object in the context of both museum taxidermy and the souvenir.
I love drawing and especially the natural world, so to be given the job to produce thirty line illustrations for interpretive signage has been a delight. I look forward to seeing the signs when they are all printed and installed in the Arkarra Wetlands, Hervey Bay
I will be joining a panel of artists on Thursday 25th March who work across the arts and science to discuss the ‘creative collisions’ that happen at the intersection of Science and Art. I spend a fair bit of time at the museum chasing my interests of objects and natural history. Is the creative mind so different from that of a scientist or researcher? In these short, sharp sessions we’ll learn about the melding of minds to create some truly inspiring outcomes. Join us to explore these unlikely alliances and their creations.
Despite a last minute covid lockdown, the Summer School went ahead minus a few days.
It was great to be joined by a fun group of enthusiastic students who embraced drawing from life in a sketchbook as we investigated the natural world using taxidermy and drawing outside in the Japanese Gardens at the University of Southern Queensland, Toowoomba.
I had the lovely privilege to be commissioned to create a bronze bust of an older gentleman, a retired doctor on the Gold Coast. He sat for me for several 3 hour sittings and I worked up the sculpture in oil based clay.
The resultant portrait was then taken to Chalkos Fine Art Foundry and the long process of going to bronze. I was very happy with the results as were the clients.
On Saturday August 8th I will be having two sessions in conversation with Jodi Ferrari (Tweed Regional Gallery and Margaret Olley Art Centre) about my current project Drawing to Dis/Possess. NOTE!! these sessions postponed to future date due to COVID
At both of these sessions I will be drawing objects while we chat about the stories and value we place on things. There will be an exhibition of drawings, watercolours and oil paintings I have been making in recent times as I wrestle with my own consumption and collecting choices. We hope to reschedule these talks soon.
Drawing to Dis/Possess
An experiment into how I might be able to dis/possess myself of material belongings.
I am making drawings, sketches, and paintings of things I have, but no longer need, in the hope that through the act of making an ‘iconic transfer’ I can rid myself of possessions.
Alongside, must be the equally vital act of not seeking to possess any more things. So, I am making drawings, sketches, and paintings of objects I covet, stuff I’d love to acquire, things that are tempting me but maybe don’t really need to own.
How do I manage my own collecting habits and be more vigorously present in my enjoyment of the objects I own or wish to own?
Is the act of drawing them enough? Can I be content to have enjoyed them, spent time with them, observing their aesthetic or functional beauty or reveling in their nostalgic blast?
Just before Covid 19 restrictions started to mean that life was changing and teaching was going to be different, I was delighted to spend 2 days a week for 4 weeks at St Margaret’s Anglican girls school with grades 7, 8, 9 and 10 students as we worked through a variety of art projects around their themes of ‘soaring’. I hope to return at some stage and see where their investigations took them.
My artwork ‘Redemption Series Echidna’ was selected as a finalist in the 2020 John Villiers Outback Art Prize. The artwork will be exhibited in the finalist exhibition between the dates of 6th March to 8th May 2020 at the Outback Regional Gallery located within the Waltzing Matilda Centre, Winton.
The gallery received a high number of entries from across Australia with 33 artists selected as finalists. Visiting guest judges were Henri Van Noordenberg and Lucy Culliton.
Sadly due to current circumstances this exhibition is closed.
Shark as Object was also selected as a finalist for the Muswellbrook Art Prize 2020.
This year they received 553 entries. After much deliberation by the selection panel 62 works were selected as finalists of the Prize. For the full list of finalists please visit the Muswellbrook Art Prize website.
This work has come about through my weekly visits to draw and document objects held at the Queensland Museum. A deep love and fascination of natural history and a long-standing practice within the genre of still life have collided to produce the perfect storm of subject matter and conceptual concerns. The ideas around the objectification of creatures has led to a d-evolution of the shark, from the valuable museum holotype skin of the Grey Nurse shark down to kitsch soap holders and shark suit–wearing Lego figurines. How do we feel about the various images of shark within our popular culture? From shiver to shudder, can it help our understanding and appreciation for the shark as an integral and important species? German mystic St Hildegard of Bingen said in the eleventh century “If we fall deeper and deeper in love with creation, we will respond to its endangerment with passion.” If this is the case, maybe even a plastic, grinning, dancing effigy of a shark can be redeemed.
Prints of this works are available through OneSpace either framed or unframed Digital print on 308gsm 100% cotton paper, paper size 68cm x 48cm, Edition 20 (1-20 available),